- Big mask, elaborate make-up, fancy costumes
- Dancing
- Singing
- Pantomime
In Shakespeare's time . . . the acting style was:
- Big, declamatory voice (passionate ranting)
- Posing, posturing, grand movements (sawing the air with hands)
- Actions didn't always suit the words spoken
- only done by men . . . boys played women's roles
- interacting with the audience
- in verse (tripped up the actors often)
In the late 1800's/early 1900's, Stanislavsky developed a system of training for actors which included:
- Relaxation
- Concentration and Observation
- Importance of Specifics
- Inner Truth
- Action Onstage
- What/Why/How
- Through-line of a Role
- Ensemble playing
- Psychophysical Action
- Emotional Recall
Today, Actor Training involves:
- Body (kinesthetic awareness)
- Voice
- Intellect
- Ensemble/Group training
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